Probing the Timing of the Key Assigner Circuitry Using my Trusty O-Scope. |
After a quick period of probing around, I found that the Key Assigner has a fundamental timing loop during which is cycles through all six voices. Looking at the schematic, one good place to see this timing loop is at the output of the Pitch CV generator (ie, Pin 1 of IC 9, which is at the top right of the schematic page below).
Polysix Schematic for the Key Assigner portion of KLM-366 |
If you put the O-scope probe at this location, you'll see a repeating figure such as the graph below (only one period is shown). The details of the repeating figure depend upon what notes you're playing on the Polysix. The first graph shows the result of playing all "C0" (the lowest note on the keyboard). The second graph shows the result of telling each voice to play a different octave ("C0" through "C5"). By comparing the two graphs, you can definitely see the timing of the six voices.
One Period of the Key Assigner Timing Loop. Output of IC9. All six voices playing "C0". |
Output of IC9 with Each Voice Playing a Different Octave of "C". |
Additional examination of these graphs (and a little more probing of the synth) allows one to understand the timing cycle well enough to break it into discrete time periods. Clearly, there are six periods associated with the pitch of the six voices. I call these periods "V1" through "V6". These periods are each 676 usec in duration.
After V6, there are appears to be another voice-like period, which I call "Vx7", since it is so much like a voice, but doesn't actually sound. Interestingly, through additional experiements, I found that its voltage is always the same - it is always set to be C7, the highest note on the Polysix. Vx7 is 712 usec long. Why is it a different length than V1-V6? I don't know.
Similarly, after Vx7, there appears to be another voice-like period, which I call "Vx8". Its voltage level always appears to be identical to V1. I don't know why. I'm thinking that Vx7 and Vx8 are both used by the Polysix's pitch correction circuitry to help it stay in tune. The duration of Vx8 is only 624 usec (though the end of Vx8 is actually a bit hard to define and measure).
After Vx8 is the final period of the Key Assigner's timing cycle. I call it the "Inter-voice" (or "IV") period. During this period, the synth sets the gate signals, it drives some LEDs, it scans the keybed and some switches, and probably a few other things as well. We'll dig into that in a future post.
To finish this post, I'd like to show some of the other logic signals that are associated with the timing of the voices. The graph below shows these signals with the same voice boundaries that were derived from the previous graphs.
Logic Signals in the Key Assigner that Appear to be Associated with the Voice Periods |
The INH, A, B, C logic lines are the clock and address lines that the synth uses to keep track of the multiplexed analog pitch signal. As can be seen in the graph, the INH line goes high at every transition between voices. When high, this signal must inhibit any downstream components from acting upon the pitch signal -- the pitch signal which is about to go through a transition. The INH pulses are about 78 usec in duration. The pulse between Vx7 and Vx8 is a little longer -- about 98 usec. The INH then goes high for the entire IV period, clearly telling the synth to ignore any changes on the multiplexed pitch CV line during the IV period.
During the voice periods, when the INH line goes high, we see that the A, B, and C, address lines toggle their state to indicate that the Key Assigner is switching voices. These three lines act like a binary counter with A being the low bit (toggles with each voice), B being the middle bit (toggles every two voices) and, and C being the high bit (toggles every four voices). Pretty logical. The logical timing even continues during Vx7 and Vx8 as if they were real voices. Once it gets to the IV period, though, the timing of these lines does get a little funky. More investigation will be needed later.
Finally, this graph shows a mystery signal that the schematic names "MC". I might have thought that this was "Master Clock", but it only seems to change state during Vx7, so it doesn't seem very clock like. I'm not sure what it does. I tried to find where in the multi-page schematic the Polysix uses the MC line, but I couldn't find it. Does anyone have any ideas?
Edit: Here's the Next Step...Replacing the Key Assigner with an Arduino
Nice capture of the related mechanics
ReplyDeleteThis is really fascinating stuff... I'm trying to get to the bottom of arpeggiator timing problems in the MonoPoly and Polysix (and possibly the 61 too) that could be down to the key assigner circuit and your work here is very interesting... I realise that these are old posts and I'm not sure if you're still using this blog site but just wanted to 'thumbs-up' your efforts explaining all this
ReplyDeleteThanks for the feedback!
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